笼中女[电影解说] 已完结

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分类:电影解说 美国 1971

导演:Gerardo  de  Leon   

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片名:笼中女[电影解说]

别名:笼中女[电影解说]免费在线播放

电影类别:电影解说

连载状态:完结

发行年份:1971

首映地区:美国

导演:Gerardo de Leon

演员:Pam Grier,Jennifer Gan,Roberta Collins,Judith M. Brown

更新时间:2024-07-22 02:21

《笼中女[电影解说]》主演阵容都有谁?

《笼中女[电影解说]》由Gerardo de Leon执导,Pam Grier,Jennifer Gan,Roberta Collins,Judith M. Brown领衔主演。

《笼中女[电影解说]》是哪一年在美国上映的?

《笼中女[电影解说]》于1971在美国上映,《笼中女[电影解说]》由导演:Gerardo de Leon执导,Pam Grier,Jennifer Gan,Roberta Collins,Judith M. Brown领衔主演的电影解说。

《笼中女[电影解说]》是根据一个真实故事改编的,那《笼中女[电影解说]》故事的大致内容是怎样的??

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  Carol Jeffries (known as 'Jeff') is a naive American woman staying in the Phillipines. She is given ten years in prison after being set up by her drug-dealer boyfriend, Rudy. She endures the harsh conditions, sadistic head matron and attempts on her life, then convinces her cell-mates to try to escape with her through the jungle, in spite of the knowledge that ruthless trackers will be sent out after them.”
  “Legend has it that Sam Arkoff, head of American International Pictures saw a statuesque Grier at his company switchboard and cast her on the spot for her breakthrough hit Coffy. That, as they say, is bull shee-it. The former beauty queen made her film debut in 1970 as an extra in Russ Meyer's big breast bonanza Beyond The Valley Of The Dolls, and appeared in a number of B-pics shot in the Philippines the following year for AiP's rival company, Roger Corman's New World Pictures. Alongside her role as the tough-as-nails prostitute in Big Doll House were supports in the horror flick The Twilight People and as a topless hooker (again!) in Cool Breeze, then back behind bars for Women In Cages.
  In Women In Cages, Grier plays the sadistic warden for once, a pot-smoking lesbian with a fully-equipped torture chamber (including a guillotine!). The 'New Fish' (a recent inmate, for you prison film novices), a ditzy blonde ex-stripper called Alabama, has taken the heroin possession rap for her pimp boyfriend. She knows too much, so the pimp blackmails her cellmates to execute her. A competent and well-shot entry in the tropical prison genre from Filipino director Gerry De Leon, it places the embittered ex-addict and prostitute Grier in the position of slave owner, watching her white charges toiling away in the plantation with obvious ironic glee.

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