片名：帝国[电影解说]
别名：帝国[电影解说]免费在线播放
电影类别:电影解说
连载状态：完结
发行年份：1987
首映地区：其它
导演：亚历山大·索科洛夫
演员：Alla Osipenko
更新时间：2024-07-22 03:18
《帝国[电影解说]》主演阵容都有谁？
《帝国[电影解说]》由亚历山大·索科洛夫执导，Alla Osipenko领衔主演。
《帝国[电影解说]》是哪一年在其它上映的？
《帝国[电影解说]》于1987在其它上映，《帝国[电影解说]》由导演：亚历山大·索科洛夫执导，Alla Osipenko领衔主演的电影解说。
《帝国[电影解说]》是根据一个真实故事改编的，那《帝国[电影解说]》故事的大致内容是怎样的?？
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Short film Empire is based on a radio drama Sorry, Wrong Number by the American writer Lucille Fletcher. Actually, Sokurov draws on a single theme forming the background for the story of the thriller — the woman's illness… The heroine is bed–ridden and her only means of communication with the outside world is her telephone — until a killer interrupts the conversation…
Sokurov removes all the dialogues, leaving us alone with the heroine — “a living skeleton” among the refined, with a touch of Modern–style, furnishings — who is listening to a radio broadcasting of Traviata, with its pleas for mercy and love. An elegant coffin–home is the spatial centre and symbolization of the entire film. And inside the coffin we certainly see the actress — the famous Russian ballerina Alla Osipenko who plays not only the heroine but also her own self.
This metaphoric cinema–image bears an allusion to the great “handicapped” Sarah Bernhardt who was reported to sleep in a coffin, as well as to the entire complex of aesthetised Decadence, converting an apology of Death into a lifestyle. Here is the key to the code of the title. Empire is a style that attempted to reanimate the dead ancient harmony. The heroine of Sokurov's film communicates with her phone as the only partner, and sort of interferes with the beyond, attracting this air — intangible yet saturated with danger. It is from the radio air that she accumulates both pleasure and tranquillity — the aria of dying yet beloved Violetta, while the killer's silhouette materializes from the phone air. A chamber pot, overturned and spilt by the killer in haste, remains the only evidence of human activities in this boudoir of Death. Sokurov's metaphor, clad in naturalistic details, produces the effect of ironic disclosure: “a wet spot” is left after a symbol.
The film was shot as a study work of a VGIK student S.Sidorov. At that time Sokurov did not have a chance to launch a project of his own, therefore he used this possibility to work. Visual conception of this film anticipates a considerable number of Sokurov's future experiments: light that models the space, levelling of colours, correlation of contrasting textures.
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