片名：O somma luce

别名：O somma luce免费在线播放

电影类别:剧情片

发行年份：2010

首映地区：法国

导演：让-马里·斯特劳布

演员：Giorgio Passerone

更新时间：2024-07-22 20:31

《O somma luce》该片自上映后，口碑爆棚，能否成为年度最佳剧情片？

《O somma luce》该片自上映后，口碑爆棚，能成为年度最佳剧情片。《O somma luce》往往可以变成在今年的电影中用户评价有名的电影，直接原因是《O somma luce》整部著作自身足够好，不论是艺人Giorgio Passerone的呈现、让-马里·斯特劳布拍摄技巧，或是电影情节和现实感，全是非常出众的，取得好口碑：8.0分其实也很正常。《O somma luce》的艺人Giorgio Passerone尽管说不是非常有名，但是Giorgio Passerone的表演很好，可以把观众们带到到小故事中来，让粉丝有一种窒息的感觉，相比这些帅哥的表演Giorgio Passerone的表演真是能够称之为高手，因此大家喜欢这部剧情片。

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　　转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub
　　“The end of paradise on earth.”—Jean-Marie Straub
　　The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.
　　“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.
　　In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.
　　So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.
　　During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.
　　The mise en scène of what words exactly?
　　The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.
　　Is “Straubie” Greece?
　　This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich